#vital stories

[strongpeopleadvice]

Who are the sentinelese?

They are the inhabitants of North sentinal Island in the bay of Bengal in the Indian ocean.They are considered to be roughly around or below 500.

They are hunter and gatherers .they mostly use bows and arrows to hunt terrestrial life.they donot have any contact with the world so they are considered to be dangerous.It is report that American tourist had died making contact with the sentinelese .

First people that make contact with the Sentinelese

An Indian merchant ship called the Nineveh ran aground on the reef. 86 passengers and 20 crew managed to swim and splash their way to the beach. They inhabit there for three days before the Sentinelese evidently decided the intruders to chase away the passengers.

Can we make friends with the Sentinelese?

An Indian Anthropologist Trinok Nath Pandit, working under the Indian government, landed on North Sentinel Island. They found only hastily-abandoned huts. The people had fled so quickly that they left the fires still lit outside their homes. Pandit and his team left gifts: bolts of cloth, candy, and plastic buckets ,other then them few other Anthropologist like Madhumala Chattopadhyay also make contact with the Sentinelese.

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[soranker]

tomorrow :)

[if-not-now-tell-me-when]

Semi paraphrased from another post about Crowley’s portrayal in the Good Omens book versus the show. On the importance of hope, even when you don't have optimism.

Crowley as written in the early 1990s called himself an optimist. Crowley in 2023 is very much not an optimist, and I think this reflects what the audience for this story needs now. (And keep in mind, I'm an American writing from my personal, individual American worldview. I'm aware that there are other countries besides America).

The 1990s were a time of optimism in the West. The Cold War was over, the threat of nuclear armageddon was finally lifted, the economy was booming. It was a pre-9/11 and pre-Columbine world, a world in which you didn't have to pass through metal detectors and x-ray scanners to board a plane or enter a government building. Readers in 1990 had reasons to be optimistic in their future.

We in 2023 do not. We live in a very dark timeline. Climate change is barreling down on us, and time is quickly running out to stop it. We've emerged from the wreckage of the War on Terror, and we've realized just how much we were lied to in order to justify 20 years of war. Rent is soaring and wages are stagnant. Income inequality is at historically bad levels. Fascists openly march in the streets and storm our houses of government.

So why would we carry on? Why would Crowley of 2023 carry on? Because he has to. We have to.

Be brave. Do the hard thing. Do it anyway. Do it while not being an optimist in the slightest.

Even in the face of impossible odds.

Especially in the face of impossible odds.

There is nobody coming to save us. All we have left is each other. So we must keep on loving, and keep on living.

All is not lost.

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[collophora]

TBB cadets ideas

[eddith]

After watching the fan letter i kept thinking how one piece is a masterclass of showing how a story doesn't need to be driven by romantic love to explore the beautiful romanticism of relationships in a real and heartfelt way.

Fiction is so oversaturated with romance that relationships between characters are most often than not so superficial and goddamn repetitive, I swear if it were another author writing marineford I would 100% expect the the plot to revolve around the main character saving their romantic interest.

I feel like writters dont really give platonic bonds this type of love and attention, and I do believe a part of it revolves around a societal context to what we as a society considers beautiful, romantic and worthwhile telling a story about.

And also the epidemic of loliness, the lack of connection and the isolation are all factors to why we see romantic love stories being pushed this much, this attachment of the idea of romance that most people seems to have.

And this is why i dont like the narrative of “separating the artist from their art” because I think this it is such a poor way of analyzing art. You can’t create a story like one piece, who explores platonic bonds and prioritizes them again and again and intentionally puts them at the forefront of your story if you, the writer, don't view those bonds as something special and worthwhile writting about.

Because after being caught up with one piece I kept asking myself why did this story had such an impact on me? The backstories, the bonds, they all shock me to my core.

Me being a older sister who wasn't ever that close to my little sister and who always felt this disparaging loliness since i was a child, watching mariford hurted me in a way that no story ever could, I can't imagine the impact one piece would have on me if i watched this when i was younger.

And I believe it's all because of Oda's view on relationships, how he seems to have a deeper understanding of people and how they work.

One piece transforms the “ordinary” bonds that most of us have in our lifes into something so extraordinary.

This why I not only respect Oda as a writer, but also as a person.

A person who could so beautifully show us the true beauty of life, that is, the people around us who love and support us.

[gachacatt]

"I talked to so many therapists about that day. I thought I'd be better, but now it's tearing us apart all over again. I just wanted closure..."

[rowanthestrange]

A thing I think should be included with Ruby’s abandonment/attachment issues when we’re writing her, is that she was a foster sibling to a lot of kids. Like a lot of kids. She has effectively lost so many siblings and playmates and even babies/very young children she’s essentially had a hand in raising. Her entire life has been loving and losing. And for foster kids getting adopted or reunited with their parents under better circumstances, she will basically have been unable to grieve that properly because it’s a good thing they’re gone and they’re supposed to celebrate it. She’s clearly very loving and caring even after a whole life of that, even though each time they leave a piece of her goes with them.

No shit she’s going to end up with some attachment issues. Especially if she considers herself the lucky one, survivor’s guilt, Carla adopted her and none of the others, who have probably expressed that sentiment to her directly and asked why, in the hopes they could stay forever too, or just jealousy - what made you so special?

Foster children/youths in the UK also have to choose themselves to stay in-touch. Foster carers cannot directly contact the child once they have left their care. A “clean slate” approach is preferred. So if the child doesn’t request to get into contact — and sometimes aren’t told they would have to or are discouraged from doing so — that means losing contact immediately and for good. Does that remind you of anything? Sometimes it also happens very quickly - it is far from unheard of for a foster sibling to go to school in the morning and find out the child they’ve been living with for months has gone when they come back in the evening. Even with warning it could still often be only days. I think you could argue 73 Yards has more to do with Ruby’s experience as a foster sibling than being an adoptee.

And of course the continuous loss of loved ones mirrors the Doctor’s experience with their companions fairly often. Another thing that quietly binds them that most other people couldn’t understand.

[thevalleyisjolly]

Peak wizard episode for Adaine, nothing more wizard than inadvertently unleashing the ancient sealed Horrors(TM) because you were so intensely focused on understanding the arcane mystery and then successfully Counterspelling a god.

[fire-bay]

More oc doodles

[agentc0rn]

Lonely earth-bound monarch figures whose existences and legacies extend past the bounds of time and space.

[ratwithhands]

I had this AU archived off my accounts for a few years, but I'm thinking about it a lot more these days so I'm digging it up for sketches.

This is Kudari from Codebreaker, functionally the starting antagonist for the story when Emmet accidentally collides with him and takes parts of his body.

For a little debrief, the main idea of Codebreaker is that Emmet discovers that he exists in a false reality, and that there is a parallel plane where all of the instructions for his reality exist. He finds his way to this plane by accident after walking back from another lonely day at work, and is hellbent on learning how to manipulate it in the hopes that he can recover Ingo with that knowledge. Kudari is his own set of instructions, who he partly dismantles, allowing him to actually interact with the code. This leaves a hollowed out shell that starts trying to find his own way to get his body back from Emmet.

I'd been thinking about the Beta Submas leaks which lead me to sketching him again. Here's the first rough warmup sketch I did with a fight between him and Emmet.

From there I just started reworking his old design to be worse 💀

Let me know if you guys want more of this freak, he's honestly really fun to sketch.

[elbdot]

How long will it take till El and Guzma start showing *CANON* feelings towards eachother?

*looks at planned story arcs* Ok so we have regular bonding shenanigans, then we have a vital Guzma arc in here, an El arc planned as well, plans for Season 3, scheduling time for comics between commission work and other projects, calculating... ...ah shit we'll be here for another 7 years again, won't we

[pixiecaps]

finished watching caitis vod and im glad so many victims are finding the strength and courage to share their stories and im glad that so many of them are speaking out to help others like them find their own voice like when caiti mentioned shelby gave her strength to speak out its bittersweet that these types of stories are coming to light and with such frequency but its also important they are coming out and not left unsaid and these people arent free to live without any consequences or repercussions for the disgusting things they do

[asthedeathoflight]

It has always really rubbed me the wrong way how people wave away any harm Louis has done to Armand over the course of their relationship because Armand is older and stronger than him. To be clear im not arguing that their relationship can or should be viewed as "Louis is the abuser and Armand is the victim" but people act like Armand cannot ever be on the receiving end of any mistreatment from Louis just bc hes stronger than him. Like essentially your argument is that nobody can ever be abused by someone who they could take in a fight. Which is crazy. Thats the most surface level shallow understanding of the dynamics of abuse ever and yet i see it EVERYWHERE in this fandom. "Armand is 500 years old! He can fly!" Yeah and lifting weights famously makes you immune to domestic violence. Abuse, whether physically violent or not, is largely psychological. It's almost never going to be a matter of the abuser just being physically stronger than the victim. The end conclusion of this logic is that everything fucked up Louis ever did to Armand is Armand's fault, actually, because he should have just vampire powered his way out of the situation, which is literally textbook victim blaming. Can we please have a teensy bit of critical thinking here.

[stagefoureddiediaz]

Robbie Taylor Hunt will probably go mostly under the radar but he needs and deserves all the props and praise for his work on Red white and royal blue.

intimacy coordinators deserve so much credit and he did an outstanding job with this film!!!